MP3s are for sampling purposes only. Please buy the album if you like what you hear. If you have a complaint about the ownership of a track, picture or text, please contact me (juanribera@telefonica.net) directly and I will be sure to remove it at request as soon as possible. Also, all songs featured here will now be removed within one to two weeks of posting.

viernes, 31 de octubre de 2008

Music legends Orange Juice together again 26 years after split


http://www.sundaymail.co.uk/tv-showbiz-news/music-news/2008/10/26/music-legends-orange-juice-together-again-26-years-after-split-78057-20840168/

Oct 26 2008 By Billy Sloan
THE legendary Orange Juice are getting back together for the first time in 26 years to receive a top music award.
The band will get together next month to be honoured by Nordoff-Robbins Scotland.
It will be an emotional reunion after singer Edwyn Collins almost died from a brain haemorrhage in 2005.
The charity raises money to fund music therapists and Edwyn benefited from Nordoff-Robbins' painstaking work during his long road to recovery.
Edwyn, 49, said: "I'm very flattered.
It's all part of the renaissance of Orange Juice. I have fond memories of the band and am looking forward to seeing them all again."
The original Orange Juice line-up - Edwyn, bassist David McClymont, guitarist James Kirk and drummer Steven Daly - formed in 1979.
Over three years they released four singles, Falling And Laughing, Blue Boy, Simply Thrilled Honey and Poor Old Soul, on indie label Postcard Records.
Their debut album You Can't Hide Your Love Forever peaked at No.21.
The band have influenced hundreds of acts such as The Smiths, Franz Ferdinand and Belle And Sebastian.
David, 48, said: "Orange Juice were a dysfunctional bunch of people whose career was a roller-coaster ride.
"We went from being an act nobody was interested in to one of the biggest indie bands in the UK.
"We really needed a level-headed manager but, if anything, Postcard founder Alan Horne was even crazier than we were. It took years for me to realise I'd been part of something so important musically.
"Now with the endorsement of Franz Ferdinand it's almost come full circle.
It's the end of a journey in a way."
Steven said: "Orange Juice set rolling a multi-million pound industry and completely reshaped Glasgow's self image.
That wasn't easy.
"We were self aware enough to realise our records were making history."
David met Edwyn at Glasgow College of Printing in 1977. Steven and James had been school mates at Bearsden Academy.
David said: "When I first saw Edwyn I thought he was an interesting looking guy. He asked me to join his band even though I couldn't play an instrument.
"He taught me bass guitar two weeks before our first gig at Glasgow School of Art on April 20, 1979."
Steven, 48, had spotted Edwyn on a Glasgow bus a year earlier.
Steven said: "He was reading Melody Maker - the wrong thing to do at the time - but he was wearing a Buddy Holly badge. I thought he looked pretty cool.
"He played me his record collection. It was full of Velvet Underground, Nico and David Bowie."
It will be the first time the band have been together since 1982. They were devastated when Edwyn fell ill three years ago.
He battled back to health and released solo album Home Again last year.
David said: "It's amazing what he's achieved since his illness. That's why it's important for us to get together."
James and Steven had left by the time the band had their biggest hit Rip It Up in 1983.
The reunion will bring back fond memories.
Steven said: "In 1981, we played the Bungalow Bar in Paisley, supported by Aztec Camera.
"We were getting great national press but had no idea if anybody in Glasgow even cared.
"We rolled up and saw hundreds of art school kids queuing outside. That's when I knew something was happening."
Joe Aitken of award sponsor Glasgow City Marketing Bureau said: "Orange Juice are fantastic ambassadors for the city, both as musicians and style icons.
"We're delighted to recognise one of Scotland's greatest bands."
THE original line-up of Orange Juice have not been on stage together since splitting in 1982. Here we catch up on what they have been doing since then.
JAMES KIRK
WROTE two of Orange Juice's most famous songs - Felicity and Wan Light.
When the guitarist and drummer Steven left Orange Juice in 1982, they formed a new group called Memphis and released one single, You Supply The Roses.
He wrote songs with Paul Haig and The Independent Group before leasing a solo album, You Can Make If You Boogie, in 2003.
James later quit the music business and is now a chiropodist with a actice in Glasgow.
STEVEN DALY
IN 1989, Steven moved to New York where he lives with wife Kirsten. They are expecting their first child in January.
He is a contributing editor for US glossy Vanity Fair and travels the world on assignments.
Steven has interviewed Madonna, David Beckham, Jim Carey and Johnny Depp. He said: "I interviewed Becks while he played for Real Madrid.
"Posh - who was wearing just a pink bikini - lay on a towel just 12 feet from me sunbathing during our chat at their Spanish home."
DAVID McCLYMONT
IN 1984, David - of Girvan - emigrated to Australia where he lives with wife Janet near Melbourne.
He is a writer for the respected Lonely Planet travel guides and played bass with Kylie Minogue on an Aussie TV pop show.
David, 49, said: "I moved to Australia to escape the music business. I didn't realise Orange Juice were famous 11,000 miles from home.
"Sydney was full of Postcard Records' obsessives so I suddenly got invited to a lot of dinner parties and it opened many doors for me."
EDWYN COLLINS
NOW lives in London with wife and manager Grace and their teenages on William.
He wrote Rip It Up which reached No.8 in the charts in 1983. It was to be Orange Juice's biggest hit when they continued with a new line-up.
When the group disbanded two years later, he pursued a solo career which included hit 1994 single A Girl Like You, later covered by Rod Stewart.
He is also a record producer having worked on albums by The Proclaimers and The Cribs.
Earlier this year, Edwyn played his first UK concerts since his illness.

martes, 28 de octubre de 2008

Bill Drummond - "The Man" (LP 1985 - Creation)







Este disco lo pinchaba mucho el Albi. Atención no sólo a "The King of Joy" -el single- sino también a la spectoriana "I Want That Girl".

Bill Drummond - The Man5 stars
HE USED to be a deep sea trawlerman, used to manage the Bunnymen and the Teardrops and had the dubious honour of playing with Holly Johnson in seminal Liverpool compbo, Big In Japan. And now as he turns 33 and a third, he releases his testimony, ‘The Man’, a long playing record. When managing the Bunnymen, Drummond had a fascination with ley lines that led him to send the band on a tour that began in the Scottish Isles and ended in Iceland. Perhaps it’s this familiarity with the supernatural that allows him to release his album to coincide with the resurgence of Julian Cope and thus attract much publicity with the track ‘Julian Cope Is Dead’. This composition combines Drummond’s plea for Copey to commit suicide as a publicity stunt with the Bagpuss theme, and is every bit as funny as it sounds. Not that ‘The Man’ should be regarded as some adjunct to the career of everybody’s favourite Tamworth sex god. This album, which crosses the eccentricities of Ivor Cutler with the rock ‘n’ roll fascinations of Kim Fowley, is a touching if idiosyncratic biographical statement. Recorded with The Triffids and Voice Of The Beehive in a village hall in his native Galloway, ‘The Man’ veers between Scottish jigs and Phil Spectorisms. ‘I Want That Girl’ is a breathless tale of love forgotten, ‘I’m The King Of Joy’ a ridiculously optimistic account of his lust for life: “I’ve a heart like a Viking, and faith like a child/ Have you ever heard the song ‘Born To Be Wild’?” And the lynchpin, ‘I Believe In Rock & Roll’, is an eloquent exposition on Bill’s primary fascination. ‘The Man’ is a work of humble genius: the best kind.

ROY WILKINSON (Sounds - November 1985)

"Bill's my pal, but I thought his record would be crap. He gave a cassette to me and I didn't play it for ages. Then I put it on when I was I the bath one night, I nearly drowned I laughed for about half an hour. It s the work of a complete nutter"
ALAN MCGEE

lunes, 27 de octubre de 2008

Peter Astor and The Holy Road - "Paradise" LP (Danceteria - 1992)


También he conseguido este lp de Peter Astor que tengo en vinilo (en su día lo compré en Delsur) pero que deseaba obtener para tener en mp3 esa gran canción que es "Almost Falling in Love", su canción más pop que casi casi podría firmar LLoyd Cole. Fue el penúltimo coletazo de una carrera que pasó muy desapercibida hasta tal punto que terminó editándose a través de un sello francés....

The Weather Prophets - "Why Does The Rain" y "She Comes From The Rain" (Elevation 12" - 1987)




Hoy he conseguido los dos maxis que editaron The Weather Prophets para Elevation (la subsidiaria de Wea que acogió a proyectos de Alan McGee). "She Comes From The Rain" viene con 3 temas, dos de ellos versiones ("Who By Fire" de Leonard Cohen y "You Upset..." de Tim Hardin; las dos -la verdad- bastante flojitas) y "Why Does The Rain" con tres temas extras también, entre ellos la maravillosa "Midnight Mile" (¡temazo!), que sólo tenía en la versión BBC que incluyeron en el recopilatorio "Temperance Hotel". Todo lo que publicaron en Elevation permanece inédito en versión cd, excepto el lp que se editó en Japón. He leído en algunos foros que varios sellos indies han intentado conseguir los derechos de estas grabaciones -al igual que otros grupos similares que grabaron en multinacionales como The Bodines- pero les piden más de 12.000 euros en la mayoría de los casos...




sábado, 25 de octubre de 2008

Tracey Thorn on The Marine Girls (Caught in Flux Fanzine - Number Two - January 1994) PARTE 1



Esta es una carta que Tracey Thorn escribió a Elisabeth Vincentelli dándole respuesta a sus preguntas sobre la carrera de The Marine Girls y que puiblicó el estupendo zine neoyorkino Caught in Flux

Tracey Thorn on The Marine Girls (Caught in Flux Fanzine - Number Two - January 1994) 2ª PARTE




Esta es una carta que Tracey Thorn escribió a Elisabeth Vincentelli dándole respuesta a sus preguntas sobre la carrera de The Marine Girls y que puiblicó el estupendo zine neoyorkino Caught in Flux




St Christopher (Les Inrockuptibles, nª54, Avril 1994)


jueves, 9 de octubre de 2008

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